Eileen Chengyin Chow is the Co-Founder of Frontline Non-Fiction Translation Fellowship. Currently the Director of Graduate Studies for Duke Asian Pacific Studies Institute's East Asian Studies graduate program, and one of the founding directors of Story Lab at Duke. Eileen is also Director of the Cheng Shewo Institute of Chinese Journalism at Shih Hsin University in Taipei, Taiwan 世新大學舍我紀念館與新聞研究中心.

周成蔭，「在場・非虛構翻譯獎學金」共同發起人，杜克大學東亞所所長，杜克故事實驗室負責人，台灣世新大學舍我紀念館館長，翻譯家。周老師是余華長篇小說《兄弟》的譯者之一，長期研究全球華人的流動與離散、教授翻譯課程。

Jennifer Feeley is the translator of Xi Xi's Mourning a Breast, Not Written Words: Selected Poetry of Xi Xi, and Carnival of Animals: Xi Xi's Animal Poems, as well as the novel Tongueless by Lau Yee-Wa, Chen Jiatong's White Fox series, and Wong Yi's Cantonese chamber opera libretto Women Like Us. Her forthcoming translations include Xi Xi's My City. She is the recipient of the 2017 Lucien Stryk Asian Translation Prize and a 2019 National Endowment for the Arts Literature Translation Fellowship. She holds a PhD in East Asian Languages and Literatures from Yale University.

費正華是耶魯大學東亞文學系博士，翻譯作品包括西西的《哀悼乳房》、《不是文字：西西詩集》以及《動物嘉年華：西西的動物詩》，劉綺華的小說《失語》、陳佳同的兩部【白狐迪拉】系列兒童小說、以及黃怡的粵語室內歌劇劇本《兩個女子》。她即將出版的譯作包括西西的《我城》。她於2017年獲得Lucien Stryk亞洲翻譯大獎，並於 2019 年榮獲美國國家藝術基金會頒發的年度文學翻譯獎學金。

Ian Johnson is a Pulitzer Prize-winning journalist, author, teacher, and researcher. He has been engaged with China for the past thirty-five years. His books include Wild Grass: Three Stories of Change in Modern China (Pantheon, 2004), The Souls of China: The Return of Religion After Mao (2017), and his newest book Sparks: China’s Underground Historians and their Battle for the Future. He is also the founder of the China Unofficial Archives.

張彥，記者，曾獲普利策獎，同時也是作家、教師和研究者，與中國結緣已有三十五年之久。他的著作包括《野草》（Pantheon, 2004）、《中國的靈魂：後毛澤東時代的宗教復興》（2017），以及最新著作《星火》。他同時共同創建了「中國民間檔案館」。

Charles Laughlin is Ellen Bayard Weedon Chair of East Asian Studies at the University of Virginia. His publications include Chinese Reportage: The Aesthetics of Historical Experience (Duke, 2002), Contested Modernities in Chinese Literature (Palgrave Macmillan, 2005), The Literature of Leisure and Chinese Modernity (Hawai'i, 2008). Laughlin has published many translations including Ma Lan's 2023 bilingual collection, How We Kill a Glove as well as translations and a critical introduction to By the River: Seven Contemporary Chinese Novellas (Oklahoma University Press, 2016). Laughlin's current research includes the dynamics of desire in revolutionary narratives and images of aging in Chinese film.

羅福林，維吉尼亞大學 Ellen Bayard Weedon 東亞學講座教授，翻譯家。主要研究著作有《中國報告文學：歷史經驗的審美》，2002年由杜克大學出版社出版，2005年編《中國文學：有爭議的現代性》，2008年由夏威夷大學出版社出版的中國現代散文研究專著《小品文與中國的現代性》。中國文學翻譯有小說、散文、詩歌和論文，分別出版在多種刊物和選集上。

Carlos Rojas is Professor of Modern Chinese Cultural Studies, Gender, Sexuality, and Feminist Studies, and Arts of the Moving Image at Duke University. He is also an active translator, and has translated 16 book-length works of literary fiction by Yan Lianke, Yu Hua, Jia Pingwa, Ng Kim Chew, and Zhang Guixing. His translation of Yan Lianke's The Four Books was shortlisted for the 2016 Man Booker International Prize.

羅鵬，杜克大學現代中國文化研究、性別、性與女性主義研究，以及動態影像藝術的教授。他同時也是一位活躍的翻譯家，翻譯作品包括閻連科、余華、賈平凹、黃錦樹和張貴興的16部長篇文藝作品。他翻譯的閻連科作品《四書》曾入圍 2016 年國際曼布克獎。

Na Zhong is a fiction writer and literary translator based in New York City. A 2023 MacDowell Fellow and a 2021–22 Center for Fiction Susan Kamil Emerging Writer Fellow, she has published with the Drift, the Kenyon Review, Guernica, among others. Hailing from Chengdu, Zhong writes a column for China Books Review and is the co-founder of Accent Accent, a writing community for bilingual and diasporic writers. Her first English novel, But Travelers Must Be Content, is forthcoming from Coffee House Press.

鍾娜

小說寫作者，文學譯者，生於成都，現居紐約。作品散見中英文雜誌，獲得麥克道威爾駐留基金、小說中心青年作家項目等支持。重音社合創人，《中國書評》專欄撰稿人。首部英文長篇《But Travelers Must Be Content》將由Coffee House Press出版。